Friday, August 29, 2014
Public Inquiry · Be very afraid
Public Inquiry · Be very afraid, 12th May 2007 Over All These Years I Have Never Once Bumped Into Any Of These "Researchers" Who Are Experts On Crime And Its Causes?
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Issues Juveniles Face in Adult Prisons 
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Damaging to the very fabric of our society': Higgins criticises Ireland's unequal justice system
Higgins was speaking at the opening of Flac’s new Dublin office.
Monday 25 February 2019 18:03 19,391 38
PRESIDENT MICHAEL D Higgins has said that Ireland should not be satisfied with its current system of justice which is dependent on the ability to pay for it.
Speaking at the official opening of Free Legal Advice Centres’ (Flac) new office in Dublin, Higgins said that effective access to justice is a basic human right arguing that access to legal aid is a crucial requirement of that.
“A nation that aspires towards true equality, could not be satisfied with a system of justice that is reliant on the earning power of those who seek to access it, or accept a situation where those who cannot afford to pay for justice can be more easily deprived of their liberty, or for a view that a fair trial is a commodity is a right limited to one’s capacity to purchase it,” he said.
There can be no doubt that those who are most vulnerable and marginalised in our society are also those citizens who are most at risk of encountering legal difficulties and most in need of a justice system that is accessible and that operates in the best interests of all.
Flac was established in 1969 by four students who wanted to use their skills and knowledge to provide legal advice to those who could not afford to pay for it – an organisation Higgins says has contributed “so much to the achievement of a rights-based legal system in Ireland”.
Speaking at the opening of Flac’s new office, the first in a series of events to mark its 50th anniversary, Flac’s chief executive, Eilis Barry, said that five decades later, justice continues to be unattainable for some groups in society.
“We are proud of the work that FLAC and its squad of volunteers have done for the last 50 years in seeking to establish a comprehensive system of civil legal aid. However, Flac and its volunteers cannot begin to meet the current legal need it encounters on a daily basis.”
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Last year Flac dealt with over 25,000 requests for legal information and advice to its telephone information line and advice clinics.
It recently urged the government to make free legal aid available in proceedings involving the repossession of a home.
“It is simply not acceptable, in a state that claims to be a democracy, that the most vulnerable section of our society is unable to access our legal system or is prevented from doing so in a timely manner. That is a situation which damages the very fabric of our society, entrenching and exacerbating inequality,” Higgins said.
The homeless, the poor, those with a disability or who suffer from mental illness, immigrants, lone parents and those living or growing up in disadvantaged communities encounter many more legal problems than the rest of our population.
Higgins added that when vulnerable citizens are abandoned to navigate a complex legal system alone, they are experiencing a grave injustice.
“It is, indeed, worrying to know that figures released last year by the Irish Penal Reform Trust to the Oireachtas Education Committee showed that the majority of those currently in Irish prisons have never sat a State exam, with over half having left school before the age of 15.
“It is also revealing that prisoners in Ireland are 25 times more likely to come from deprived communities, indicating a very clear link between social disadvantage and crime and punishment,” he said.
FLAC’s new premises on Upper Dorset Street has a special historical significance as the playwright Sean O’Casey was born on the original site in 1880.
O’Casey’s daughter, Shivaun, was in attendance today for the opening.
Things We’ve Always Wanted to Tell You review: Thought-provoking look at the Irish class system
Dublin Fringe Festival: Scottee directs a carefully choreographed and amusing discussion that upturns class assumptions
Things We’ve Always Wanted to Tell You: taking the mickey out of privilege. Photograph: Holly Revell
Things We’ve Always Wanted to Tell You: taking the mickey out of privilege. Photograph: Holly Revell
Deirdre Falvey
about 7 hours ago
THINGS WE’VE ALWAYS WANTED TO TELL YOU
Cube, Project Arts Centre
★★★★☆
The physical metaphors are strong in this teasing out of class differences and attitudes in Ireland. The audience is separated from three self-described working class actors – Felicia Olusanya, Jade O’Connor and Neil Watkins – by what seems like a one-way mirror. We can see them, but apparently they cannot see us. Moments when the audience lights go up, and they gaze at us, and when they part the wall to briefly step out, feel significant. Neither a play (“We just got you in on that pretext,” says Watkins) nor the billed dinner party, director Scottee creates a carefully choreographed tossing around of ideas and personal experiences, about the complexity of class definitions and acknowledging “you grow up quick when you grow up like us”, without an automatic safety net. Thoughtful and thought-provoking, often amusing in upturning preconceptions and taking the mickey out of class assumptions and middle-class privilege, there is righteous anger here too. “Their parents say no [to what their children want] to teach them about the world. Our parents say no because they have to.”
Things We’ve Always Wanted to Tell You review: Thought-provoking look at the Irish class system
Dublin Fringe Festival: Scottee directs a carefully choreographed and amusing discussion that upturns class assumptions
Things We’ve Always Wanted to Tell You: taking the mickey out of privilege. Photograph: Holly Revell
Things We’ve Always Wanted to Tell You: taking the mickey out of privilege. Photograph: Holly Revell
Deirdre Falvey
about 7 hours ago
THINGS WE’VE ALWAYS WANTED TO TELL YOU
Cube, Project Arts Centre
★★★★☆
The physical metaphors are strong in this teasing out of class differences and attitudes in Ireland. The audience is separated from three self-described working class actors – Felicia Olusanya, Jade O’Connor and Neil Watkins – by what seems like a one-way mirror. We can see them, but apparently they cannot see us. Moments when the audience lights go up, and they gaze at us, and when they part the wall to briefly step out, feel significant. Neither a play (“We just got you in on that pretext,” says Watkins) nor the billed dinner party, director Scottee creates a carefully choreographed tossing around of ideas and personal experiences, about the complexity of class definitions and acknowledging “you grow up quick when you grow up like us”, without an automatic safety net. Thoughtful and thought-provoking, often amusing in upturning preconceptions and taking the mickey out of class assumptions and middle-class privilege, there is righteous anger here too. “Their parents say no [to what their children want] to teach them about the world. Our parents say no because they have to.”
WHO IS YOUR REAL FRIEND?
A poem by Brenda Tallon, O’Connell (13/03/2018)
Dear Lord My Heart Aches For The Youth Of Today
With Evil and Drugs Been Pushed Their Way,
Families Are Been Shattered and Torn Apart
Dealers Just Don’t Seem to Have A Heart,
The Scourge of Addiction Effects So Many Lives
It’s Like A Bee Taking Honey Back to The Hives,
The Bee Is the Dealer Taking Honey Back to The Hives,
The Bee Is the Dealer with His Drugs So Enticing
Our Youth Find This So Exciting,
They Can’t Resist the Lure? Of the High
It Is A Curse for Every Girl and Boy,
Years Ago Heroin Was The Main Drug Curse
Now Cocaine, Es, Ketamine, Etc, Which Is Worse?
If I Could See the World Through the Eyes of a Child
All the People in The World Would Be Happy and Kind,
Unfortunately This Is Just A Dream
Life Is Not Precious to Many It Would Seem,
I’ll Keep the Youth in My Prayers
To Help Them See Their Families Care,
No High on Earth Can Take the Place
Of A Father and Mothers Loving Embrace.
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